Walking Questions | streetwear

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WQ - WALKING QUESTIONS AS A METHOD OF TAKING IDEAS ON A JOURNEY, CLOTHING AND PUBLIC SPACES AS ACTIVE PARTICIPANTS IN POSING QUESTIONS THAT INVITE REFLECTION WHILE WE MOVE THROUGH THE WORLD.

READY - TO - WEAR QUESTIONS (?)

taking questions out for a walk : )

NEW ARRIVALS (?) CURRENT QUESTIONS

FOLLOW ALONG

studio tests, happenings and words at @rca_contemporaryartpractice the last couple of months and an appreaciation photo of blue skies and sun over london, selfie with the tree that i talk to about my feelings everyday at the park next to uni (my bff🌳)

studio tests, happenings and words at @rca_contemporaryartpractice the last couple of months and an appreaciation photo of blue skies and sun over london, selfie with the tree that i talk to about my feelings everyday at the park next to uni (my bff🌳)

ready-to-wear & walk questions @walkingquestions is a project i started late last summer, an invitation to take questions out on a walk both mentally and bodily while placing then as text in the public space as we walk. i never shared it here or posted these pictures of the project from last july in Berlin butt new questions to take out on a walk are coming this summer and there is still like 2 available of each of the 2 first t-shirts thorough www.walkingquestions.com or dm me : ) and dont forget to always walk as a remedy and method for everything, everyyyyything

ready-to-wear & walk questions @walkingquestions is a project i started late last summer, an invitation to take questions out on a walk both mentally and bodily while placing then as text in the public space as we walk. i never shared it here or posted these pictures of the project from last july in Berlin butt new questions to take out on a walk are coming this summer and there is still like 2 available of each of the 2 first t-shirts thorough www.walkingquestions.com or dm me : ) and dont forget to always walk as a remedy and method for everything, everyyyyything

SPECIAL EDITION with a pair of printed vinyl gloves 💅🏼Do hands hold or are they held? My second artist book
** interface written in spanish/spanglish :)
Ridograph printed at @rca_printlabs London
Hand binded with cotton thread
Edition of 50

This book is not a book, but a device for holding your hands. The book explores how touch mediates our relationship with the world and the systems that shape it, and how the act of touching and being touched becomes a negotiation between agency and dependence within the daily choreographies we perform.

This book marks the beginning of my formal exploration into the artist book as a conceptual device, applying a sculptural approach to bookmaking and understanding books as an open field for relations.

If you want one of the let me know ✨ the book costs 20€ + shipping and i can do deliveries anywhere : ) SPECIAL EDITION 25€

#papersarchive #artistsbooks #dohandsholdoraretheyheld? #artistbook #librodeartista

SPECIAL EDITION with a pair of printed vinyl gloves 💅🏼Do hands hold or are they held? My second artist book
** interface written in spanish/spanglish :)
Ridograph printed at @rca_printlabs London
Hand binded with cotton thread
Edition of 50

This book is not a book, but a device for holding your hands. The book explores how touch mediates our relationship with the world and the systems that shape it, and how the act of touching and being touched becomes a negotiation between agency and dependence within the daily choreographies we perform.

This book marks the beginning of my formal exploration into the artist book as a conceptual device, applying a sculptural approach to bookmaking and understanding books as an open field for relations.

If you want one of the let me know ✨ the book costs 20€ + shipping and i can do deliveries anywhere : ) SPECIAL EDITION 25€

#papersarchive #artistsbooks #dohandsholdoraretheyheld? #artistbook #librodeartista

Do hands hold or are they held? Here I read one of the texts from my recient artist book : )
50 copies
Printed in Ridograph at @rca_printlabs

#artistbook #artistbooks #librodeartista #independentpublishing #editorial

Do hands hold or are they held? Here I read one of the texts from my recient artist book : )
50 copies
Printed in Ridograph at @rca_printlabs

#artistbook #artistbooks #librodeartista #independentpublishing #editorial

Do hands hold or are they held? My second artist book 🪄 ✨
Risograph printed at @rca_printlabs London
Hand binded with cotton thread
Edition of 50

This book is not a book, but a device for holding your hands. The book explores how touch mediates our relationship with the world and the systems that shape it, and how the act of touching and being touched becomes a negotiation between agency and dependence within the daily choreographies we perform.

This book marks the beginning of my formal exploration into the artist book as a conceptual device, applying a sculptural approach to bookmaking and understanding books as an open field for relations.

If you want one of the let me know ✨ the book costs 20€ + shipping and i can do deliveries anywhere : )

#papersarchive #artistsbooks #dohandsholdoraretheyheld? #artistbook #librodeartista

Do hands hold or are they held? My second artist book 🪄 ✨
Risograph printed at @rca_printlabs London
Hand binded with cotton thread
Edition of 50

This book is not a book, but a device for holding your hands. The book explores how touch mediates our relationship with the world and the systems that shape it, and how the act of touching and being touched becomes a negotiation between agency and dependence within the daily choreographies we perform.

This book marks the beginning of my formal exploration into the artist book as a conceptual device, applying a sculptural approach to bookmaking and understanding books as an open field for relations.

If you want one of the let me know ✨ the book costs 20€ + shipping and i can do deliveries anywhere : )

#papersarchive #artistsbooks #dohandsholdoraretheyheld? #artistbook #librodeartista

Do hands hold or are they held? My new Artist book 🥹 that is not really a book but a device to hold your hands / 1 week

Do hands hold or are they held? My new Artist book 🥹 that is not really a book but a device to hold your hands / 1 week

winter 2025, London / en lo más crudo del invierno aprendí que existe en mí un invencible verano — Retorno a Tipasa

winter 2025, London / en lo más crudo del invierno aprendí que existe en mí un invencible verano — Retorno a Tipasa

Caminar con la luz apagada, saltar al vacío y saberme sostenida.

Durante el verano practiqué varias veces esta habilidad, literalmente cerrando los ojos y caminando por ahí, esperando que cada paso encontrara un piso. Jugar a hacer metáfora una realidad que quiero habitar, la de abrazar la oscuridad del futuro con certeza.

Este texto hace parte del libro - Camino a tinta sobra - publicado en la edición Nature and Wonder II de @dna_magazine junto con textos hermosos de @ximpri @_anavelasco_ y @karinaztn gracias mil a @sofo.tequiero y a @pamyrangel por la invitación.

Caminar con la luz apagada, saltar al vacío y saberme sostenida.

Durante el verano practiqué varias veces esta habilidad, literalmente cerrando los ojos y caminando por ahí, esperando que cada paso encontrara un piso. Jugar a hacer metáfora una realidad que quiero habitar, la de abrazar la oscuridad del futuro con certeza.

Este texto hace parte del libro - Camino a tinta sobra - publicado en la edición Nature and Wonder II de @dna_magazine junto con textos hermosos de @ximpri @_anavelasco_ y @karinaztn gracias mil a @sofo.tequiero y a @pamyrangel por la invitación.

Fragmentos de algunos textos de mi blog de videoescritura en Substack. No saberme escritora me da la libertad de escribir y está divertido

Fragmentos de algunos textos de mi blog de videoescritura en Substack. No saberme escritora me da la libertad de escribir y está divertido

This Saturday, May 10th, I’ll be hosting an Open Studio at my studio in @monopolberlin , as part of Reinickendorf Atelierwochenende.

A central part of my practice revolves around building archives—of answers, timetables, and actions. This Saturday, I’ll be opening two of these archives from different projects. That arise from two questions; Why are we here? and What did your hands do today? I would love to share with you this part of the inner workings of my practice and talk about archiving and about how these documents reflect of our collective present.

1 video by @lupelleriti opening the One stitch per second archive
2 & 3 design Atelierwochenende Reinickendorf
4 preparing my studio for you

This Saturday, May 10th, I’ll be hosting an Open Studio at my studio in @monopolberlin , as part of Reinickendorf Atelierwochenende.

A central part of my practice revolves around building archives—of answers, timetables, and actions. This Saturday, I’ll be opening two of these archives from different projects. That arise from two questions; Why are we here? and What did your hands do today? I would love to share with you this part of the inner workings of my practice and talk about archiving and about how these documents reflect of our collective present.

1 video by @lupelleriti opening the One stitch per second archive
2 & 3 design Atelierwochenende Reinickendorf
4 preparing my studio for you

Sometimes I think about this installation that is in Colombia stored in this box. Without knowing, the other day I realized I like to talk to my works and ask them how they are, how are they feeling, what do they want from me or from the world around them.

Me and this weaving of leaves had a relationship for 6 months while I was weaving each leaf with the other. 7 hours per day. In a way weaving this piece for such a long time made me understand many aspects about the passing of my own time here.

This installation also has its own time, the time of the tree, the time of the leaves floting in the air, the time in the city pavement before I picked them up, and now their time as an art piece that will decompose one day.

There will be a moment when this six months of weaving the piece will be gone, they will return to the soil as all time does.

In 2020 it was exhibited as part of @programaartbo Artecámara in the exhibition “Antes de que todo sea polvo” curated by @emilianovaldes

Due to covid it was only exhibited digitaly so in reality this piece has always lived in this box, lying in its weightless weight. Resting, waiting..

Perdiendo el tiempo
Dry leaves sewn woth cotton thread
4 x 2 m (divided in 6 pieces)
2020

Sometimes I think about this installation that is in Colombia stored in this box. Without knowing, the other day I realized I like to talk to my works and ask them how they are, how are they feeling, what do they want from me or from the world around them.

Me and this weaving of leaves had a relationship for 6 months while I was weaving each leaf with the other. 7 hours per day. In a way weaving this piece for such a long time made me understand many aspects about the passing of my own time here.

This installation also has its own time, the time of the tree, the time of the leaves floting in the air, the time in the city pavement before I picked them up, and now their time as an art piece that will decompose one day.

There will be a moment when this six months of weaving the piece will be gone, they will return to the soil as all time does.

In 2020 it was exhibited as part of @programaartbo Artecámara in the exhibition “Antes de que todo sea polvo” curated by @emilianovaldes

Due to covid it was only exhibited digitaly so in reality this piece has always lived in this box, lying in its weightless weight. Resting, waiting..

Perdiendo el tiempo
Dry leaves sewn woth cotton thread
4 x 2 m (divided in 6 pieces)
2020

Expanded editorial practice; “Un punto rojo en el mapa me indica donde estoy” a project I started last year in CDMX about walking as a practice of narrowing the distance between body and mind. And at the end a short clip of a video performance/walk following red dots on a map.

After a few days of walking through Mexico City, I understood how my relationship with public space can only be mediated by the understanding that before inhabiting a public space, I inhabit myself as a territory. Reviewing the maps of urban planning and its iconography, I am left with the image that a red dot on the map tells me where I am. This point says, “Usted está aqui /You are here,” and as I walk and keep moving, that point moves simultaneously. The “here” moves because, in reality, I am my own “here.” Dasein is its own here.

Expanded editorial practice; “Un punto rojo en el mapa me indica donde estoy” a project I started last year in CDMX about walking as a practice of narrowing the distance between body and mind. And at the end a short clip of a video performance/walk following red dots on a map.

After a few days of walking through Mexico City, I understood how my relationship with public space can only be mediated by the understanding that before inhabiting a public space, I inhabit myself as a territory. Reviewing the maps of urban planning and its iconography, I am left with the image that a red dot on the map tells me where I am. This point says, “Usted está aqui /You are here,” and as I walk and keep moving, that point moves simultaneously. The “here” moves because, in reality, I am my own “here.” Dasein is its own here.

Writing diaries is amongst all building personal time capsules that one can acces at any time 🗂️🔮

Writing diaries is amongst all building personal time capsules that one can acces at any time 🗂️🔮

Caminar, caminar y parar a observar. El sol se pone a las 4pm y ellas salen a bailar. Yo me siento a verlas, como se mira a un otro en movimiento. Ver todas las sombras y, de repente, reconocerme en cada una de ellas. Ver mis sombras y no voltear la mirada, ponerle un nombre a cada una.

Entenderme plural y esperar a que oscurezca sobre la siguiente noche para poder volverlas a ver, para poder volverme a ver.

Mirarme, mirarme otra vez.
Entenderme plural.

Videitos por @rodri_moran en @monopolberlin

Caminar, caminar y parar a observar. El sol se pone a las 4pm y ellas salen a bailar. Yo me siento a verlas, como se mira a un otro en movimiento. Ver todas las sombras y, de repente, reconocerme en cada una de ellas. Ver mis sombras y no voltear la mirada, ponerle un nombre a cada una.

Entenderme plural y esperar a que oscurezca sobre la siguiente noche para poder volverlas a ver, para poder volverme a ver.

Mirarme, mirarme otra vez.
Entenderme plural.

Videitos por @rodri_moran en @monopolberlin

Every year the gratitude just keeps growing ✨ the start of my 30s and autumn equinox with lots of gratitud, fire & the right people by my side 🥹🧚🏼🪩❤️‍🔥 gracias!!!!!!!!! for all the good wishes and for walking along side me 🪄

Every year the gratitude just keeps growing ✨ the start of my 30s and autumn equinox with lots of gratitud, fire & the right people by my side 🥹🧚🏼🪩❤️‍🔥 gracias!!!!!!!!! for all the good wishes and for walking along side me 🪄

El archivo y su significado en la obra de Helena Ospina Lizarralde

(English below)

Hace una semana se estrenó Anker #1: Una conversación entre @lupelleriti y @helenaospinaa Uno de los temas que abordamos en la charla fue la compulsion de Helena por la acción de archivar y cómo esta acción entrelaza un proyecto con el siguiente. En el proceso de creación de cada obra se crean diferentes archivos vivos; de respuestas, acciones o gestos. Y en algunos casos, esta acción de archivar se convierte en un dispositivo que da cuenta del transcurrir de cada proyecto en relación con el entorno al que responde.

Lxs invitamos a que la vean completa.

Disponible por Youtube 🔗 link en bio

Música original por @renzo.brass

‐—‐-

The Archive and Its Meaning in the Work of Helena Ospina Lizarralde

A week ago, Anker #1 was released: a conversation between @lupelleriti and @helenaospinaa One of the topics we discussed was Helena’s compulsion for the act of archiving and how this action intertwines one project with the next. In the process of creating each work, different living archives are created; of responses, actions, or gestures. In some cases, this act of archiving becomes a device that reflects the passage of each project in relation to the environment it responds to.

We invite you to watch the interview.

Available on YouTube 🔗 link in bio

Original music by @renzo.brass

El archivo y su significado en la obra de Helena Ospina Lizarralde

(English below)

Hace una semana se estrenó Anker #1: Una conversación entre @lupelleriti y @helenaospinaa Uno de los temas que abordamos en la charla fue la compulsion de Helena por la acción de archivar y cómo esta acción entrelaza un proyecto con el siguiente. En el proceso de creación de cada obra se crean diferentes archivos vivos; de respuestas, acciones o gestos. Y en algunos casos, esta acción de archivar se convierte en un dispositivo que da cuenta del transcurrir de cada proyecto en relación con el entorno al que responde.

Lxs invitamos a que la vean completa.

Disponible por Youtube 🔗 link en bio

Música original por @renzo.brass

‐—‐-

The Archive and Its Meaning in the Work of Helena Ospina Lizarralde

A week ago, Anker #1 was released: a conversation between @lupelleriti and @helenaospinaa One of the topics we discussed was Helena’s compulsion for the act of archiving and how this action intertwines one project with the next. In the process of creating each work, different living archives are created; of responses, actions, or gestures. In some cases, this act of archiving becomes a device that reflects the passage of each project in relation to the environment it responds to.

We invite you to watch the interview.

Available on YouTube 🔗 link in bio

Original music by @renzo.brass

✨Palabras con Helena Ospina Lizarralde✨

(English below)

Hoy se estrena Anker #1: Una conversación con Helena Ospina Lizarralde, en donde ahondamos en su trayectoria como artista conceptual y en otras temáticas que se entrelazan con su recorrido como la memoria, el archivo, la intuición y su vida en Berlín.

La entrevista la realiza Lucila Pelleriti, diseñadora que arranca este proyecto #Anker como una investigación sobre personalidades artísticas. En abril del 2024, luego de conocer a Helena en su 1er exhibición solista realizada en Vorfluter, Berlín, realizan esta colaboración para desenvolverse en preguntas que no tienen una respuesta final. Es más como una cápsula en el tiempo, o una coordenada en nuestra evolución 🌌

Con música original del gran @renzo.brass

Lxs invitamos a que la vean.

Disponible por Youtube 🔗 link en bio

*ENGLISH VERSION*

✨Words with Helena Ospina Lizarralde✨

Today we are releasing Anker #1: A conversation with Helena Ospina Lizarralde, where we delve into her journey as a conceptual artist and other themes intertwined with her path, such as memory, archiving, intuition, and her life in Berlin.

The interview is conducted by Lucila Pelleriti, a designer who is starting this #Anker project as an exploration of artistic personalities. On April 2024, after meeting Helena at her first solo exhibition at Vorfluter, Berlin, they collaborated to explore questions without definitive answers. It’s more like a time capsule, or a coordinate in our evolution 🌌

We invite you to watch it.

With original music by great @renzo.brass

Available on YouTube 🔗 link in bio.

✨Palabras con Helena Ospina Lizarralde✨

(English below)

Hoy se estrena Anker #1: Una conversación con Helena Ospina Lizarralde, en donde ahondamos en su trayectoria como artista conceptual y en otras temáticas que se entrelazan con su recorrido como la memoria, el archivo, la intuición y su vida en Berlín.

La entrevista la realiza Lucila Pelleriti, diseñadora que arranca este proyecto #Anker como una investigación sobre personalidades artísticas. En abril del 2024, luego de conocer a Helena en su 1er exhibición solista realizada en Vorfluter, Berlín, realizan esta colaboración para desenvolverse en preguntas que no tienen una respuesta final. Es más como una cápsula en el tiempo, o una coordenada en nuestra evolución 🌌

Con música original del gran @renzo.brass

Lxs invitamos a que la vean.

Disponible por Youtube 🔗 link en bio

*ENGLISH VERSION*

✨Words with Helena Ospina Lizarralde✨

Today we are releasing Anker #1: A conversation with Helena Ospina Lizarralde, where we delve into her journey as a conceptual artist and other themes intertwined with her path, such as memory, archiving, intuition, and her life in Berlin.

The interview is conducted by Lucila Pelleriti, a designer who is starting this #Anker project as an exploration of artistic personalities. On April 2024, after meeting Helena at her first solo exhibition at Vorfluter, Berlin, they collaborated to explore questions without definitive answers. It’s more like a time capsule, or a coordinate in our evolution 🌌

We invite you to watch it.

With original music by great @renzo.brass

Available on YouTube 🔗 link in bio.

Beginning of summer studio 🧚🏼 sorting out the archive of answers from - One stitch per second -

Thanks for the pictures and the visit @studio_bluebarbosa 🪼🩵

Beginning of summer studio 🧚🏼 sorting out the archive of answers from - One stitch per second -

Thanks for the pictures and the visit @studio_bluebarbosa 🪼🩵

After some time away from it im back at this practice of sewing dried leaves that I call „Perdiendo el tiempo“; this time making some new pieces that will be exhibited this weekend at @baam.berlin Art Market.

Every time i think im done with this exersice i come back to it again, since my practice is so much more about the actions and embodying the questions rather than a final product or answer it still makes sence to delve into durational slow excises than allow me to feel that admist the velocity i still have some soberanity over my own time rhythm. Also, the questions that arise from this project about time loss, durability and unity of what is left are still present for me.

Lately my mind is going too fast and my body tries to slow it down. Balancing internal rithms while sewing has made sence the last couple of weeks and I feel thankful to be able to do so every morning as part of a new meditative routine in the studio before I start working on other projects.

If you read all this and are in Berlin this weekend dont miss @baam.berlin exhibition, there are some amazing artists exhibiting and selling their pieces ✨

#contemporaryart #conceptualart #künstlerinnen #sewing #autumn #artiststudio #künstleratelier

After some time away from it im back at this practice of sewing dried leaves that I call „Perdiendo el tiempo“; this time making some new pieces that will be exhibited this weekend at @baam.berlin Art Market.

Every time i think im done with this exersice i come back to it again, since my practice is so much more about the actions and embodying the questions rather than a final product or answer it still makes sence to delve into durational slow excises than allow me to feel that admist the velocity i still have some soberanity over my own time rhythm. Also, the questions that arise from this project about time loss, durability and unity of what is left are still present for me.

Lately my mind is going too fast and my body tries to slow it down. Balancing internal rithms while sewing has made sence the last couple of weeks and I feel thankful to be able to do so every morning as part of a new meditative routine in the studio before I start working on other projects.

If you read all this and are in Berlin this weekend dont miss @baam.berlin exhibition, there are some amazing artists exhibiting and selling their pieces ✨

#contemporaryart #conceptualart #künstlerinnen #sewing #autumn #artiststudio #künstleratelier

spring 🐈‍⬛✨ a polaroid portrait at the studio by @studio_bluebarbosa and a quote from “Biography of silence: an essay on meditation”

spring 🐈‍⬛✨ a polaroid portrait at the studio by @studio_bluebarbosa and a quote from “Biography of silence: an essay on meditation”

6pm
digital photography / walking archive
as part of „One stitch per second“ at @vorfluter

Photos @paula.gvidal

#contemporaryart #installation #conceptualart #digitalphotography #flaneur #künstlerinnen

6pm
digital photography / walking archive
as part of „One stitch per second“ at @vorfluter

Photos @paula.gvidal

#contemporaryart #installation #conceptualart #digitalphotography #flaneur #künstlerinnen

Patronaje de una obra de arte / Pattern of an art piece

Piece made in situ in a - white cube - for the exhibition „One stitch per second“ at @vorfluter
Installation (pattern paper, black cotton thread and pins)
20 x 100 x 200 cm
2024

Pictures 1-4 by @paula.gvidal
.
.
.
#installation #textileart #contemporaryart #kunstlerin #contemporarygallery #sculpture #artexhibition #conceptualart

Patronaje de una obra de arte / Pattern of an art piece

Piece made in situ in a - white cube - for the exhibition „One stitch per second“ at @vorfluter
Installation (pattern paper, black cotton thread and pins)
20 x 100 x 200 cm
2024

Pictures 1-4 by @paula.gvidal
.
.
.
#installation #textileart #contemporaryart #kunstlerin #contemporarygallery #sculpture #artexhibition #conceptualart

Gracias!!! “One stitch per second“ marks my first solo show in Berlin 🥹❤️ im very happy and grateful to be able to share my work again after some time.

It has been for me an amazing time to come back to what I like doing the most and to connect with so many people that have the same questions as I do and to share my perspective while listening to new ones. Special thanks to my friends for the support always and
to the @vorfluter team (Jonas, Kay and Wiebke) ✨

**gracias again

I will post more pictures of the works in the following days : )

Gracias!!! “One stitch per second“ marks my first solo show in Berlin 🥹❤️ im very happy and grateful to be able to share my work again after some time.

It has been for me an amazing time to come back to what I like doing the most and to connect with so many people that have the same questions as I do and to share my perspective while listening to new ones. Special thanks to my friends for the support always and
to the @vorfluter team (Jonas, Kay and Wiebke) ✨

**gracias again

I will post more pictures of the works in the following days : )

ARTIST TALK ✨ this thursday 18th I will give a talk at 7pm about my exhibition “One stitch per second” at @vorfluter . I’ll talk about my practice, what questions led me to this proyect about the relationship between time, productivity and manual labor in the creative fields and I’ll do a small guided tour through the pieces of the show and the behind the scenes of the making 🚀✨✨

comeeeeee by and lets share questions about time and hands : )

Also, the FINISSAGE event of the exhibition will be this Saturday 20th from 5 to 9pm ✨

ARTIST TALK ✨ this thursday 18th I will give a talk at 7pm about my exhibition “One stitch per second” at @vorfluter . I’ll talk about my practice, what questions led me to this proyect about the relationship between time, productivity and manual labor in the creative fields and I’ll do a small guided tour through the pieces of the show and the behind the scenes of the making 🚀✨✨

comeeeeee by and lets share questions about time and hands : )

Also, the FINISSAGE event of the exhibition will be this Saturday 20th from 5 to 9pm ✨

One stitch per Second at 11pm

A piece for the midnight city walkers; at night the gallery closes and just one light remains on, a pair of hands turns and shines to be watched through a glass window

1. Gallery view at 11pm from the street
2 & 3. Videos by @lautarobianchi
4 & 5. Stills from the film Orlac’s Hände

The exhibition will be opened until the 20th of April from Monday to Saturday 14h to 19h. (And every day from the street until midnight)

One stitch per Second at 11pm

A piece for the midnight city walkers; at night the gallery closes and just one light remains on, a pair of hands turns and shines to be watched through a glass window

1. Gallery view at 11pm from the street
2 & 3. Videos by @lautarobianchi
4 & 5. Stills from the film Orlac’s Hände

The exhibition will be opened until the 20th of April from Monday to Saturday 14h to 19h. (And every day from the street until midnight)

archive from processes 2020-2023 / fragil and ephemeral actions are always at the center of my work

Y un texto de hace un poco mas de un año que me encontró justo hoy que estoy reflexionando con pausa sobre mi trabajo y me estoy preguntando porque hago lo que hago

archive from processes 2020-2023 / fragil and ephemeral actions are always at the center of my work

Y un texto de hace un poco mas de un año que me encontró justo hoy que estoy reflexionando con pausa sobre mi trabajo y me estoy preguntando porque hago lo que hago

spring renovations 🧨 studio version 🧨 After a couple of months in South America im back in Berlinnnn and preparing for my first EVER solo exhibition in Germany : )

But first, some renovations at the studio had to take place ❤️ taking care of the relationship between the working space and what happens in it is as much part of the process as creating the works themselves. 🧨 im very happy for whats to come aaand very grateful to have this -new- space to create :)

#künstleratelier #artiststudio #beforeandafter #homerenovation #springequinox #kunstler #atelier #newbeginnings

spring renovations 🧨 studio version 🧨 After a couple of months in South America im back in Berlinnnn and preparing for my first EVER solo exhibition in Germany : )

But first, some renovations at the studio had to take place ❤️ taking care of the relationship between the working space and what happens in it is as much part of the process as creating the works themselves. �🧨 im very happy for whats to come aaand very grateful to have this -new- space to create :)

#künstleratelier #artiststudio #beforeandafter #homerenovation #springequinox #kunstler #atelier #newbeginnings

UN PUNTO ROJO EN EL MAPA ME INDICA DONDE ESTOY / details, algunos de los títulos y un texto corto de la publicación (en proceso)

Instalación para @ca_sa_lu
Proyecto editorial; textos y fotografías sobre la pared
Video performance; 30m
2024

- Un punto rojo en el mapa me indica donde estoy -
es un proyecto que traza una línea de pensamiento y exploración sobre la relación entre el caminante y el espacio público de la ciudad moderna, en este caso de CDMX.

Para esta primera exposición del proyecto se presentó parte del proyecto editorial y una de las acciónes realizadas en el espacio público.

#artexhibition #editorial #artistbook #artistbooks

UN PUNTO ROJO EN EL MAPA ME INDICA DONDE ESTOY / details, algunos de los títulos y un texto corto de la publicación (en proceso)

Instalación para @ca_sa_lu
Proyecto editorial; textos y fotografías sobre la pared
Video performance; 30m
2024

- Un punto rojo en el mapa me indica donde estoy -
es un proyecto que traza una línea de pensamiento y exploración sobre la relación entre el caminante y el espacio público de la ciudad moderna, en este caso de CDMX.

Para esta primera exposición del proyecto se presentó parte del proyecto editorial y una de las acciónes realizadas en el espacio público.

#artexhibition #editorial #artistbook #artistbooks

Opening de CONCRETO SOBRE AGUA en @ca_sa_lu

Exposición colectiva con @pooo_yo @sophieirogers @miadisantoart

UN PUNTO ROJO EN EL MAPA ME INDICA DONDE ESTOY
Instalación
Proyecto editorial; textos y fotografías sobre la pared
Video performance; 30m
2024

- Un punto rojo en el mapa me indica donde estoy -
es un proyecto que traza una línea de pensamiento y exploración sobre la relación entre el caminante y el espacio público de la ciudad moderna, en este caso de CDMX.

Para esta primera exposición del proyecto se presentó parte del proyecto editorial y una de las acciónes realizadas en el espacio público.

Opening de CONCRETO SOBRE AGUA en @ca_sa_lu

Exposición colectiva con @pooo_yo @sophieirogers @miadisantoart

UN PUNTO ROJO EN EL MAPA ME INDICA DONDE ESTOY
Instalación
Proyecto editorial; textos y fotografías sobre la pared
Video performance; 30m
2024

- Un punto rojo en el mapa me indica donde estoy -
es un proyecto que traza una línea de pensamiento y exploración sobre la relación entre el caminante y el espacio público de la ciudad moderna, en este caso de CDMX.

Para esta primera exposición del proyecto se presentó parte del proyecto editorial y una de las acciónes realizadas en el espacio público.

First week at @ca_sa_lu residency. I missed this side of the world too much 🌞 im very happy to be working from Mexico City for the whole month of January and then in Bogotá for a couple of weeks :)

#artistportrait

First week at @ca_sa_lu residency. I missed this side of the world too much 🌞 im very happy to be working from Mexico City for the whole month of January and then in Bogotá for a couple of weeks :)

#artistportrait

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